A Ukulele Noir at MoPikins with the fabulous Bliss Blood, Sweet Soubrette, Kelli Rae Powell and Jamie Scandal...Where are you going to be on August 7th???
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"Have you told your audience about how they can watch me strumming Ukie on the Tonight show and other shows from the 60s by visiting YouTube and putting in my name? Over 60 videos."
"PS: my new Mel Bay songbook is published at the end of this month: "The Ian Whitcomb Songbook" --25 of my own songs all uke friendly. You can get details by calling 1-800-- 8-- MELBAY."
"Movies on a Big Screen, a production of Shiny Object Digital Video, Inc., will present a special Sacramento screening my quirky, award-winning documentary about the modern ukulele scene, "Rock That Uke."And if that ain't cheap enough for you, check this out, Robert Armstrong, the Cheap Suit Serenader, Mickey Rat creator, RTU featured artist--and Ukulelia's Official-Fine-Artiste-in-Residumps--will perform a set of uke music after the screening and Q&A. Across from the Old Spaghetti Factory dumpster. For real.
The screening is Friday, July 13 at 7:00 pm. Tickets are $5. Real movie popcorn and bottled water are $1 each! The screening venue is The Fools Foundation Art Gallery, located in Midtown Sacramento, 1025 19th Street @ 19th & K, down in the basement off the alley.
I'll be on hand for a Q&A after the screening. The doc will be preceded by "Cinema du Ukulélé," a collection of ukulele shorts that includes Ryan McFaul's cinema classic "Gay Boyfriend," starring The Hazzards (formerly The Ukes of Hazzard)!
Ukuleles! Popcorn and water for a buck each! What more could you possibly want on a Friday night? Well, you know--I mean in Sacramento."
It was a cool summer night in Ukuleletown. I had a gig at Louie’s and was walking home late. It had just rained and the streets were slick. The reflections from the streetlights were stark and dramatic.
No one was out. My footsteps did that cliched echo thing. As I passed an alley, I heard a strange sound from a dumpster sitting behind one of the burger joints there. You know I had to stop.
Proceeding cautiously down the wet litter strewn alley, I stopped in front of the offending dumpster. Clang! Thump! The huge metal container rocked. What the…? I grabbed the metal lid and flipped it up.
I was greeted with the horrifying sight of a huge, bloated creature rooting pig-like in the fetid restaurant remains, gorging itself on the garbage there. It was immense, though still vaguely human. The tiny red eyes barely registered any signs of intelligence as they focused on the scraps of discarded food it clutched in its tiny claw-like hands.
The wrinkled and stained linen sportcoat and Gucci loafers gave it away: it was a Record Company Executive! I relaxed. There were many of these in Ukuleletown and, for the most part, they were harmless if kept away from Musicians.
Disgusted, I slammed the lid back down, plunging the creature back into its own darkness. I found a grubby, stained towel on a stair railing a few feet away and wiped my hands clean; leaving the alley and continuing on my way.
The big record companies are Corporations. Their bottom line, like all Corporations, is profit. What makes the Music Industry different is that the product it promotes, markets and sells is Unique. It’s not a widget, or a skill that anyone can learn. It’s something only a few individuals can do. This doesn’t necessarily make them wonderful or god-like…it just makes them unique. It CERTAINLY does not make them rich!
My young daughter and I play an old game sometime. She will ask me if I would rather be the “fly or the windshield”…and I answer based on how I feel. Then we think of new comparative examples: the Butterfly or the Net, the Dog or the Leash, the Stopsign or the Truck, the Wind or the
Sometimes I think that musicians have to think about where they are, what they want to be. Would you rather be the Playing Card or the Poker Chip?
Hell. I’m in. Hit me.
"Hi, good people.. the uke is a long scale soprano made by a company out of Chicago-Wurlitzer.. I was attending a show by the great and wonderful Tomas Kubinek and he called me up to play his uke.. never played this uke before this performance.. it is a gorgeous instrument.. the Martin I played at Mike's did not belong to Roy, but he did give me the Harmony I used at the workshop.. I have had the Martin only about 3 years.. hope everyone gets some measure of enjoyment out of the video.. best to all.."